front cover of After the Fall
After the Fall
Poems Old and New
Edward Field
University of Pittsburgh Press, 2007
After the Fall refers to the twin towers, and is Field’s ode to the events that transpired thereafter--the war in Iraq andthe attack on civil rights in America--as well as his own personal struggles over the indignities of aging.
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front cover of Economic Interdependence and International Conflict
Economic Interdependence and International Conflict
New Perspectives on an Enduring Debate
Edward D. Mansfield and Brian M. Pollins, Editors
University of Michigan Press, 2003
The claim that open trade promotes peace has sparked heated debate among scholars and policymakers for centuries. Until recently, however, this claim remained untested and largely unexplored. Economic Interdependence and International Conflict clarifies the state of current knowledge about the effects of foreign commerce on political-military relations and identifies the avenues of new research needed to improve our understanding of this relationship. The contributions to this volume offer crucial insights into the political economy of national security, the causes of war, and the politics of global economic relations.
Edward D. Mansfield is Hum Rosen Professor of Political Science and Co-Director of the Christopher H. Browne Center for International Politics at the University of Pennsylvania.
Brian M. Pollins is Associate Professor of Political Science at Ohio State University and a Research Fellow at the Mershon Center.
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front cover of The Man Who Would Marry Susan Sontag
The Man Who Would Marry Susan Sontag
And Other Intimate Literary Portraits of the Bohemian Era
Edward Field
University of Wisconsin Press, 2007

    Long before Stonewall, young Air Force veteran Edward Field, fresh from combat in WWII, threw himself into New York’s literary bohemia, searching for fulfillment as a gay man and poet. In this vivid account of his avant-garde years in Greenwich Village and the bohemian outposts of Paris’s Left Bank and Tangier—where you could write poetry, be radical, and be openly gay—Field opens the closet door to reveal, as never been seen before, some of the most important writers of his time.

    Here are young, beautiful Susan Sontag sitting at the feet of her idol Alfred Chester, who shrewdly plotted to marry her; May Swenson and her two loves; Paul and Jane Bowles in their ambiguous marriage; Frank O’Hara in and out of bed; Fritz Peters, the anointed son of Gurdjieff; and James Baldwin, Isabel Miller (Patience and Sarah), Tobias Schneebaum, Robert Friend, and many others. With its intimate portraits, Field’s memoir brings back a forgotten era—postwar bohemia—bawdy, comical, romantic, sad, and heroic.

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front cover of A New Geography of Poets
A New Geography of Poets
Edward Field
University of Arkansas Press, 1993
Sparked by Archibald MacLeish's assertion that "there always was a relationship between poet and place," Field and his co-editors offer an updated look at the contemporary poetry scene in A New Geography of Poets.
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